Tuesday 25th July 2017
In Association with Aiken Promotions
Brian Wilson, one of popular music's most deeply revered figures and the main creative force behind some of the most cherished recordings in rock history, brings his spectacular show Brian Wilson presents Pet Sounds to Bord Gais Energy Theatre, marking the 50th anniversary celebration and the final performance in its entirety. Wilson will be performing the iconic Pet Sounds album in its exact running order followed by the best of Brian Wilson and Beach Boys material alongside special guests Al Jardine and Blondie Chaplin.
It is no exaggeration to call Brian Wilson one of the most influential composers of the last century. Wilson’s remarkable journey began in a modest Hawthorne, California home that was filled with music. As a teen in the 1950s, he became obsessed with the harmonic blend of groups like the Four Freshmen, and then, in the early 1960s, inspired to combine multi-part vocal harmony with the rock rhythms of Chuck Berry, Brian found his place in the musical sun. He was barely out of his teens when he began to create some of the most beloved records ever... nine consecutive “gold” albums that featured such classics as "Surfer Girl," “In My Room,” “I Get Around,” “Don’t Worry Baby,” "Fun, Fun, Fun," “Help Me Rhonda” and "California Girls"...just to name a handful of the more than two dozen Top 40 hits Brian co-wrote, arranged, produced and performed on with his family band, the Beach Boys.
By 1966, though, glorious harmonies, ingenious hooks and four years of virtually uninterrupted creative growth and commercial success was no longer enough to satisfy Wilson, and as his artistic horizons expanded dramatically, he produced three records in that landmark year that forever changed the course of popular music. The first beng Pet Sounds; the emotional autobiography of its 23-year old “auteur,” it is considered by many to be one of the greatest albums ever made. In the process of bringing it to life, its composer, arranger and producer (that is, Mr. Wilson) rewrote all the rules of what a record could be; as one observer noted, its release was “Independence Day” for rock ‘n’ roll. Primarily working with a new collaborator (lyricist and songwriter Tony Asher), the album featured a dozen originals. Pet Sounds was a musical canvas as boundless as Brian’s heart. (Ironically, when you hear the lost innocence in the wail of “Caroline No,” you realize that Pet Sounds not only heals our broken heart but Brian’s too.)
Over more than a dozen sessions, the Pet Sounds outtake began to take shape as the next Beach Boys single, and when it was unleashed on the world forty years ago in the fall of ’66, it stunned everybody. It was not just the Beach Boys’ first million-selling, worldwide #1 but an absolute milestone in recording history. "Good Vibrations” was a record that the legendary publicist Derek Taylor called a “pocket symphony”; given its kaleidoscopic movements, it was an apt description, as Wilson demonstrated the breadth of his musical vision as well as how the recording studio could be both an artist’s garret and a key instrument in creating his art.
If you’ve seen Brian in concert, you’ve already witnessed the magic and the celebration. If you’ve heard his records, you know why he’s been called the Mozart of Rock, the Gershwin of his generation. In a culture where trends change overnight, Wilson has gone the distance. It’s been said that if music is math, then Wilson just might be Einstein. But no comparisons are really necessary; he’s Brian Wilson, an American composer, arranger and producer whose work has proved to be as powerful as faith, as timeless as love and as heartfelt as mercy.